Showing posts with label HBO. Show all posts
Showing posts with label HBO. Show all posts

Friday, June 7, 2019

Five minutes watching...Chernobyl

I don't watch a lot of movies because I didn't have a lot of time. A lot of movies and television of late have become more niche oriented and horrible, and Cartoon Network isn't always on point. So, I watch a movie or two, or five, when I'm not writing, or reading, or playing video games, or sleep. You know, I guess I really don't watch a lot of movies or television. Go figure.

I'm not a big fan of horror, and the HBO mini-series Chernobyl is quite frankly watching a horror movie that happens in slow motion. And by that I mean that being aware that large parts of the story really happened to see just how close it all came to falling apart is a different kind of disheartening. There are scenes that I had to watch three or four times. There are scenes that on a second viewing I just avoided. There were times I yelled at the TV and others where all I could do was shake my head. There is an existential dread from watching the final episode and realizing that the professional managerial attitude of "just get it done" truly is universal, crossing language and cultures to hold sway even in the control room of a nuclear control plant.

The five episodes are artfully shot, showing a green verdant Ukraine in the mid-80s as the backdrop of this Soviet setting. It's odd that only now do I realize that I would have thought that an explosion of a nuclear reactor  - which fired debris a mile straight up  - would have been more destructive. True fact: After reactor 4 exploded, the other three reactors were kept up and running. For years. Next to an open still burning nuclear accident the other reactors kept running. The region needed the power provided and honestly couldn't afford to shut them down. After that terrible moment of explosion, shot from a distance almost offhandedly, the horror begins creeping in. Inside the facility is confusion and denial. Then comes the mis-information from an noble but uneducated viewpoint. And then from a deliberate standpoint shirking responsibility. Desperation and realization seep in. And then in what appears to be absolute madness - the crass believe what I am telling you not what you have actually seen standpoint.
Chernobyl - HBO
The story moreover feels rooted in a sad kind of reality. The characters aren't bold and noble heroes, just people who are frequently hesitant and terrified to do what they know needs to be done, then doing it anyway. The small touches: the researchers in Kiev having to figure out there even is an issue, the reactions in meetings to the news getting out, the acknowledgement of what their own exposure will do to them as they press on, the Liquidators. Watching how these small pieces reacted was fascinating. Further, we see the system they had to work in was equally, quietly, just as terrifying. As one character put it "Our power comes from the perception of our power," and making it clear that revealing the full extent of the nuclear accident greatly dims that perception. And the focus on the immense value given that perception, both internal and external, to the detriment of the correction of the issue on such a grand scale makes it a compelling tale.  

I'm aware certain parts were altered for to make the episodic story tool work. The accompanying podcast has the writer talk about what parts of the narrative are true and what parts they had to take dramatic license with is equally as fascinating. More, they discuss they parts they left out, the myths and why they made the decisions they made. True fact: Two of the three guys who went under the reactor to open the sluice gates are still alive.  But the skill in the storytelling - in that I now mostly understand why the reactor exploded is amazing. I am not a nuclear physicist, but the scene where the character Legasov breaks down what occurred is just good writing.

When I got to the end, it was the realization of what had happened and how it's a situation that is all too mundane that made it all work. Chernobyl happened in essence because people "had to hit their numbers." That's it. A combination of things that happen in offices all over the world, in garages, in hot dog stands. That it happened in Soviet Russia, at a nuclear plant is just so ordinary. The plant managers falsified the safety check information when the plant was built to get their numbers and their bonus. The plant couldn't run the test during the day shift because the local economy had to hit their monthly numbers and couldn't afford a slowdown.

Those reasons sound all too familiar. And that's the really scary part.

Monday, April 22, 2019

So, it was a game...of thrones? Like that?


Ramblings Post # 367
Good television is harder to come by than you think. This maybe the age of "peak TV," but there are a lot of valleys up around this range. And services like Netflix with their drop the whole season at once method are just throwing a monkey wrench in an already creaky service. It's hard enough to be able to discuss your favorite show, but unless you binge watch it the day it drops there is fair to middling chance your neighbor will spoil it for you. Where is the savor? The anticipation? Where is the drama? Still on cable...sorry.


That Game of Thrones season eight episode two has a lot to unpack is an understatement. We're on the eve of the big battle (maybe the first of two this season), most of the named characters have ended up in one spot and as the series heads for its climax we're getting the reflective moments, the we who are about to die dramatic tension build up. Only highbrow style. The author's been very stingy with the plot armor throughout this tale and along the way we've had some fairly memorable falls, from Ned Stark's beheading to the Red Wedding. But since the story left the books behind and it's in the hands of television writers to interpret the story, death's hand has been relatively still. TV contracts and all that. But this being the last season, a whole host of folks are about to eat it because why not. And the resulting streamlining will clean up the story-lines so we can get to the final showdown of either Jon or Dany - depending - with the real big bad, Cersei. Now, it has been suggested by my colleague that it will come down to Cersei versus the Night King, but then the Night King wins because the "mad queen" has no idea what she's facing. Not even with Qyburn and his crazy concoctions by her side. Then again, Theon's sister did make it point to mention she was going to take back the Iron Islands so there was be a retreat spot. So maybe the Night King does win at Winterfell. Or after the "good guys" win, and Winterfell is destroyed, it's the next stop on the final lap around the country.  I kind of doubt that ending, but this story has taken a whole lot of hard lefts, so anything is possible. 

In either case,  I do hope that last episode ends with whoever wins it all pulling it off with a half-hour of run time left to go and we get to see some of the aftermath. So let's start the death pool: 

So, my thinking is Theon is a goner. He'll die defending Bran from the Night King, or perhaps in an odd twist become the Night King for a few minutes. I'm still of the opinion that the King gets mutinied by one of his own followers who it turns out is Arya in a dead ice person's skin. But then I'm not the writer. Oh, and Bran makes it through, because they do end up killing the King. It's the along the way it gets really, really messy.

Tyrion lives only because Bronn is on his way to kill him. I'm thinking of it like the Iron Islands play, in that at this point there aren't a whole lot of red herring scenes left. Bronn shows up, and against his better judgement (and because Cersi paid him in advance) let's the imp live. 

Grey Worm may as well have announced he was retiring from the force as soon as this last case is over. The "what do you think we should do after this" talk is how the literati mark a character with a stab here tattoo on the forehead. That no longer foreshadowing, that's forestamping. I think he'll go down swinging, maybe even just as the battle winds down, where he has hope then gets struck down out of nowhere. But Missandrei sees the epilogue, if only so Grey Worm gets mourned.  

If Brienne hadn't gotten knighted, I was figuring she might have made it. But that tear inducing scene kind of closed out the arc for both her and Jamie, who should also die. I had hoped that Jamie, the Kingslayer would also end it by being the Queenslayer and kill his sister Cersi in the end when she flips out and get homicidal, but that would be too poetic. He's the younger twin, he fits the prophesy. That would be a TV turn, so it could happen, but that's low probability. What I find interesting is that everyone was so excited that Brienne got knighted by Jamie, that they missed she was trying to 'nighted by Podrick. No, seriously, watch that scene again. Last night in town, you go girl! 

Little Lyanna Mormont will live because reasons. I'm honestly not a fan of hers but she'll live because that's the kind of thing that happens on TV. In the book she'd die, because Martin is dick, but this is TV.  

The half the folks in the crypts get taken out. "The dead are already here." You know, the dead folks in the crypts? Starks killing Starks? It's gonna happen, they mentioned how safe the crypts were like 40 times, so it's obvious it's a death trap. How Jon didn't see that one coming after he watched the Night King literally raise an army of the dead I have no idea. And because Varyas is spy and not a fighter, he's in the crypt so he goes down. Damn shame too. 

Sansa I'm on the fence about. She'll be in the crypts for "safety." It would be really sad if she dies by a re-animated Ned or Catelyn's hand, but she's already put Dany on notice that if they live the Targaryen girl will rule the six kingdoms of Westros, if he half brother/cousin Jon don't ace her out. Her living would set the stage for the next two seasons of the show that they aren't going to shoot.  

Samwell and Jorah live because in this sort of story sidekicks aren't the drivers of emotion but the mourners of the fallen. But, it's an either or situation; if Jon lives then Sam bites it, if Dany lives that Jorah redeems himself in his own eyes going out in battle. But I'm pretty damn sure that Jon's gonna live. Maybe. Kinda sure. As I said, Martin is kind of a dick. 

And because the Hound and the Mountain haven't squared off, and this is TV, and the Zombie Mountain is still in King's Landing, the Hound lives through this. That fight should get a good five minutes in the last episode. 

Because I think Arya kills Cersei in the end, I think a faceless girl will make it. Gendry? That's about a fifty-fifty. 

And finally, Tormund has to live. I thought he might sacrifice himself for Brienne, but no I think he makes it. Because idiots like him always do. Otherwise who tells those insane stories?

The cracked up part? Dany's main thrust of finding out Jon's true lineage was "your claim is better than mine," which makes sense in part but sounds or feels incredibly self centered on the other. Not, I committed incest or our line lives, but you just cut the line in front of me. Makes me wonder if she won't take the heel turn and stab him in the back. That would set up an all heel championship match for Westros, but I could see it. Maybe.